Time
|
Lyrics
|
Screen
|
| 0:00 | Home is where the heart is, and I gave it to you in a paper bag | Medium shot of artist under spotlight. Everything else black. Light capturing in strange ways. |
| 0:06 | Even though it's tarnished You told me it's the best you ever had, You got my... | Close up on artist. Same set as prior. |
| 0:13 | secret combination And I don't be giving that out easily, With my... | Wide shot of two dancers walking closer to each other in front of blinders |
| 0:20 | deep dedication You can tell that you were brought the same for me | Medium close up of artist under light. Artist moving neck and hands in a provocative way, then looks back at camera. |
| 0:27 | *Music build up* | Wide shot of dancers performing whilst blinders start to flash to beat. |
| *Music build up* | Medium shot of DJ mixing on perspex strobe box. Camera track down to level with mixing desk. | |
| 0:39 | So please don’t | Close up on artist’s lips under spotlight. |
| 0:40 | Let go, cause you know | Wide shot of dancers in front of white screen performing dance. |
| 0:44 | exactly what we’ve found | Close up of DJ mixing. |
| 0:46 | So please don't let go, my darling | Wide shot of artist in light beam corridor performing towards the camera and camera follows back. |
| 0:50 | you keep me hooked up underground | Close up of artist where light is bouncing onto her. |
| 0:53 | ground (repeats) | Letterbox between wide shot of dancers and close up on artist’s lips. Dancers in the middle and artist split on the outside. |
| 1:00 | Gonna be you | Letterbox moves so that only dancers can be seen performing. |
| 1:06 | In you’re big house on the hills | Long shot of artist in light beam corridor, camera slowly zooming in |
| 1:09 | Where(repeats) | editing used to make artist look as though there is a malfunction. |
| 1:10 | you keep your dollar bills | Camera still zooming in to artist comes to a stop. |
| 1:13 | And you stashed my heart somewhere in the dark | Wide shot/Close ups of dancers performing dance. Moving from slow motion to normal pace. |
| 1:17 | Keep it safe I know you will | Medium shot of Dj mixing. Camera moves consistently took keep the beat. |
| 1:20 | know you will, know you will | Camera following artist in light beam corridor. Artist is looking over her shoulder and walking away. |
| 1:25 | I know you will...meant to be | Medium shot of dancers in front of blinders. |
| 1:30 | *Music* | Editing done in such a way it cuts to black on every 5th beat. Cuts between dancers and extreme close ups of artist in spotlight set and DJ mixing. |
| 1:43 | Rolling with the punches So they won't get inside our happiness | Medium close up of artist under light. |
| 1:48 | uh (repeats) | Cut looking like a malfunction between artist and black smoke filling cube. |
| 1:49 | Love is always hunted But you're white rose is soaring through my tear | Birds eye view of DJ mixing. |
| 1:54 | Cause you know you give me something Yeah you give me exactly what I need | Wide shot of artist in light corridor. Lights are flickering more. |
| 2:01 | Got my blood pumping You know you always draw more blood, I bleed | Intense shots of dancers. |
| 2:07 | *Music build up* | Close up shot of artist under light and strobe starts to appear. |
| 2:13 | *Music build up* | Close up to wide shot of DJ Mixing. Mixing is becoming more intense |
| 2:19 | So please don’t let go, cause you know | Wide/close up shots of dancers |
| 2:23 | exactly what we found | Close up of dancers doing something intimate. |
| 2:25 | So please don't let go, my darling | Medium close up of artist in light corridor. |
| You keep me hooked up underground | Medium shot of DJ Mixing. Camera follows his movements. | |
| 2:32 | ground (repeats) | Letterbox between medium shot of dancers and medium shot on DJ. DJ in the middle. Dancers on outside. |
| 2:38 | Gonna be you | Letterbox moves so that only dancers can be seen performing. Strobe lights start to increase. |
| 2:45 | *Music* | Cuts to shot every 3 beats otherwise black screen. Moves between close up of artist, DJ going crazy and dancers. |
| 2:58 | you and me | close up under spotlight of artist. |
| 3:01 | gonna be everything you ever dreamed | Medium shot of artist in light corridor |
| 3:04 | gonna be you and me | Canted angle downwards on deck and DJ. DJ looks like he is closing the song off. |
| 3:08 | gonna be everything and everything we’re meant to be | Wide shot of dancers in front of blinders together and blinders turn off screen turns off. End. |
By Eloise Roitman
The blog is making proficient progress, Dasha, but you need to ensure that you cover all of the stages of your pre-production process with as much detail as possible. Brief posts which pick up on feedback you have been given and the changes to the concept which have occurred as a result would help to show how the product is being shaped. Make sure you get the audition sequences uploaded as well. This week's priority is to get those storyboards completed so that they can be filmed and edited before the break.
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